Let’s Chat About Civil Rights / Let’s Chat About Civic Memory (2016)

Let’s Chat About Civil Rights / Let’s Chat About Civic Memory was installed in April 2016 at the Figge Art Museum in Davenport, Iowa at the behest of St. Ambrose University. The images, by Melissa Mendes and Sheika Lugtu—a Ladydrawers collaboration—are accompanied by oral histories from local Quad Cities residents regarding two major aspects of Davenport’s participation in the […]

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Harvey & Me (2016)

A comics memoir and collaboration with Melissa Mendes, Harvey & Me is a six-episode literary series for Belt based on Anne Elizabeth Moore’s work and travels with Harvey Pekar. Read “Let’s Just Wait,” “Uninteresting Phone Call,” “Laureates for Everything,” “Book Signing,” “Pulling Lynda Barry’s Leg,” or bookmark the whole series here.

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Chicago Radical Publishing Timeline (2015)

The Chicago Radical Publishing Timeline (2015) was installed in June of 2015, during Pride and CAKE, in the front window of Andersonville’s legendary Women & Children First Books. The timeline included radical publishing projects from queers and folks of color throughout Chicago’s history, and was installed with a selection of complementary books on display in the front window, […]

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The Quick Prep Narrative (2015)

A film version of the auto-transcription of a fall 2015 talk called The Queer Crip Narrative delivered at Gallery 400 in Chicago on illness, disability, and storytelling. The original talk argued that technology often deepens divisions between the physically abled and the physically disabled; the film’s eroding coherence proves it. Watch it here.

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Sentimental (2014)

165 years after the creation of the Declaration of Sentiments and Resolutions—a document written in 1848 by Elizabeth Cady Stanton, Lucretia Coffin Mott, Mary Ann McClintock, Elizabeth W. McClintock, and Jane Hunt and adopted by a committee of slightly over 100 men and women at the first Women’s Rights Convention in Seneca Falls, NY—hundreds of […]

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Unmarketable

Best Book of 2007, Mother Jones

“Distinctly more radical than merely protesting against consumerism: a total rejection of the competitive ethos that drives capitalist culture.” —LA Times

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